内容：实景照片合作方：Marta Iglesias Rando, arquitecta, Isabel Ramírez Romero, arquitecta.
图片：24张这是由Javier Pérez De La Fuente与 Juan Antonio Marín Malavé联合设计的马拉加蓬皮杜中心。为了解决这个公共空间中的现状建筑存在感有限的问题，建筑师使用了工业材料与场地所在位置的港口环境相协调，同时使用了兼具了艺术与技术的打孔卡的韵律感，这是参考了Joseph-Marie Jacquard (1752-1834)在1805年开始应用于织机的打孔卡。技术与艺术产品之间的关系尤其反映在新柱子的使用和外观的模式。语境化做为一个孤立对象的的评估手段，而其整合性作为连接过去与现在的不同类型的系统，反映了不同学科之间的知识与经验的必要性和丰富转化。这种关系鼓励了好奇心和努力，有意或无意地深化、发展和推进知识和沟通。 译者：筑龙网艾比 Two resources have been used to resolve the initial difficult matter of the very limited presence of the existing building within the public space: using industrial materials that work in harmony with the port environment in which it is located and an express reference to binomial art-technique using the rhythms of punch cards used by Joseph-Marie Jacquard (1752-1834) in their looms from 1805. The relationship between technical and artistic production today is reflected especially in the use of new pillars and modes of expression. De-contextualisation as a means of assessment of an isolated object and its integration in a different type of system connects past and present, reflecting the necessary and fruitful transfer of knowledge and experience between various disciplines. This relationship encourages curiosity and strives, consciously or unconsciously, to deepen, develop and advance knowledge and communication. The internal layout of the centre, is conceived as a fluid space, where in a continuous sequence, the visitor takes a journey bringing them closer to the contents on display, preparing them emotionally for the move from the noisy "outside world" into a space that allows "an inner experience" which if where we want the visit to be focused. This idea is embodied as a strategy, a certain fragmentation and visual shutdown that slowly takes us to different places, using different enclosure areas that serve as a filter and allow you to gradually discover each space in their true magnitude.It is laid out on two floors Level 0 (access) and Level -1. Level 0 is made up of various areas and free access: cafe, shop, luggage lockers, and space for young audiences and temporary exhibitions. Level -1 includes the rooms housing the collection. It is the first sample collection, intended to stay in Malaga for 2½ years, the five topics are: metamorphosis, self-portraits, the faceless man, the political body and the body in pieces, including works from the Pompidou Centre in Paris, with exhibition curator Brigitte Leal, head curator of heritage, deputy director of the National Museum of Modern Art. This floor hosts the multipurpose room / auditorium with a capacity for 121 people.The cultural centre is structured around two areas that assume different characters: the empty outside space and the central exhibition space. The empty outside space is perceived as an element of urban reference allowing us to always maintain the indoor-outdoor relationship. The space is not accessible, but provides "a window" from which to look inside.It serves as a central element and organises the service spaces, these are arranged around the access, shop, luggage storage area and access to the collection.For a first showing, Daniel Buren has produced a piece of work using coloured vinyl entitled "Incubated". The central exhibition space is made up of a central vacuum inside, which the visitor discovers during the process of immersion in the tour, and once at the access level, has a first glimpse of this space, although very fractional, through the vertical slats. It is the space around which the whole building is organised, with a large covered atrium, and takes on the character of a unique and distinctive space as its size and the versatility of its facilities can accommodate very diverse works. It is 8 metres high and its central area totals around 1,000 sqm.Both areas share a common internal language using vertical wooden slats that establishes a dialogue between them. The two connecting spaces between levels 0 and -1 have also been designed with a distinct character:The central ramp-ladder, as an extension of the public space, is a fluid and slow declining space, which, almost in a processional manner, brings visitors to the collection preparing them to be challenged by the artistic proposal and deep content that lies within.The wooden staircase, a serene and friendly space, provides a memorable image to close the experience. The tours are accessible by lifts that connect the two levels.The Pompidou Centre in Málaga, besides the central hall with three rooms for semi-permanent use, has a temporary exhibition hall and a workshop for young audiences.Cozy beautifully proportioned rooms, expectant containers, equipped with all the systems required to accommodate the most demanding of collections. It poses as versatile space, with a seating system concealed under the floor that allows its use as a diaphanous room or an auditorium for 121 people. (made by FIGUERAS). The Pompidou Centre in Málaga also has a luggage storage area, shop and cafe.Spaces that house the air conditioning systems, security, catering and several others are arranged within a perimeter ring that allows the development of management and maintenance tasks without interfering with the operation of the centre.It incorporates a forklift with independent access from the parking basement.Externally there are no elements that "invade" the public space, so that the cover becomes a neutral outer space to accommodate the diverse activities of the Centre.西班牙马拉加蓬皮杜中心外部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心内部实景图西班牙马拉加蓬皮杜中心效果图西班牙马拉加蓬皮杜中心平面图西班牙马拉加蓬皮杜中心平面图西班牙马拉加蓬皮杜中心平面图西班牙马拉加蓬皮杜中心示意图西班牙马拉加蓬皮杜中心剖面图西班牙马拉加蓬皮杜中心剖面图西班牙马拉加蓬皮杜中心剖面图西班牙马拉加蓬皮杜中心剖面图西班牙马拉加蓬皮杜中心剖面图
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